Eugen Wassiliwizky
Index: 10.1016/j.plrev.2017.12.008
Full Text: HTML
Eerola et al.'s multi-layered model for the pleasure taken in music-elicited sadness is an important step in integrating explanatory accounts from different disciplines. Here, I would like to point out two theoretical inconsistencies that lie at the very root of the paradox and can have a major impact on future studies: first, the conflation of the transformation hypothesis and the co-activation hypothesis of sadness and pleasure, and second, the conflation of sadness that is elicited by musical instruments and that which is elicited by lyrics.
Physics of mind: Experimental confirmations of theoretical p...
2018-04-02 [10.1016/j.plrev.2017.11.021] |
Shock wave–induced permeabilization of mammalian cells
2018-03-21 [10.1016/j.plrev.2018.03.001] |
How much free energy is absorbed upon breaking DNA base pair...
2018-03-07 [10.1016/j.plrev.2018.03.008] |
Modelling thrombosis in silico: frontiers, challenges, unres...
2018-03-05 [10.1016/j.plrev.2018.02.005] |
An Integrative Review of the Enjoyment of Sadness Associated...
2017-11-23 [10.1016/j.plrev.2017.11.016] |
Home | MSDS/SDS Database Search | Journals | Product Classification | Biologically Active Compounds | Selling Leads | About Us | Disclaimer
Copyright © 2024 ChemSrc All Rights Reserved